8 More Photography Quotes That Inspire Me
Photography has nothing to do with cameras. Lucas Gentry Love this one from Gentry. Yes, just forget about your cameras and bits of equipment. Just
So this was for Statagies Magazine which was a magazine for the advertising world in France. Simple portrait in an office, as boring as it gets! Before a shoot I’d find myself leafing through catalogues I’d bought at the Musee Dapper. It was a marvellous little place and they had these amazing African arts exhibitions.
I remember seeing Kota and Dogoon masks and thinking maybe I could do something like that in my photography. So for this shoot with Pascal Calzada I wanted his face surrounded by feathers. I was using a Pentax 6×7 and only had about 10 shots on a roll. I think I slowed down the shutter speed to about ¼ sec and when I saw the flash fire I pulled the camera away from him. The good old days of film!
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Photography has nothing to do with cameras. Lucas Gentry Love this one from Gentry. Yes, just forget about your cameras and bits of equipment. Just
Newport ,Wales | 2089
This series looks at working life in Wales—cashiers, roofers, labourers, and men on construction sites. It was photographed on bulk-rolled Kodak Tri-X film, giving the images a gritty, tactile quality that reflects the physicality of the jobs. Shot with no frills, just available light and time spent watching, the pictures are a quiet record of labour—its gestures, its repetition, and its dignity.
Sinai,egypt | 2025
Mostafa Mansour is a documentary photographer based in Sinai, Egypt. His current work focuses on the life of Bedouin communities from the Muzeina tribe and their relationship to their environment. Mansour’s work is mainly shot on analog film in different formats. His recent short film ‘Passage’ -an experimental short documentary film- was screened at Two.Five film festival and Zawya Film Festival in Cairo.
London ,UK | 1990
In 1990, I worked on a building site near Green Park in London. Many of the men were Irish, and among the concrete gang, some spoke Gaelic as they worked. Hearing the Irish language rise above the noise of drills and steel was unexpected—an echo of home in the heart of a foreign city. These photographs capture a moment when hard labour, exile, and heritage came together in the dust and light of a changing London.
Prints available to purchase here. For licensing and other enquiries, please contact Colm Pierce via email.