8 More Photography Quotes That Inspire Me

photographer shields himself from the rain in Sapa, northern Vietnam

Photography has nothing to do with cameras.

Lucas Gentry
Love this one from Gentry. Yes, just forget about your cameras and bits of equipment. Just produce.

All photographs are accurate. None of them is truth.

Richard Avedon
I never see or saw photography as the truth. Yes, photographs record certain moments, and are accurate at that time. But things are always changing so a photograph taken “then” can never truly represent the “now”.

The dog is the perfect portrait subject. He doesn’t pose. He isn’t aware of the camera.

Patrick Demarchelier
What can I say here? Portraits can be hard work. Animals aren’t that easy either.

The limitations in your photography are in yourself, for what we see is what we are.

Ernst Hass
Yes, where we come from and what we believe are very important factors in what we take pictures of.

Photography is the simplest thing in the world, but it is incredibly complicated to make it really work.

Martin Parr
I like this quote from Martin Parr and yes, photography looks easy at the beginning but the more you do the more you find how difficult it can be to get great photos.

I think of photography like therapy.

Harry Gruyaert
I love Harry Gruyaert colour photography. This quote really resonates with me. I’m never at my happiest when I’ve just photographed in the street.

Contrast is what makes photography interesting.

Conrad Hall
A very simple quote here and my take on this is vary your stories, your subjects and try to make things as interesting as you can.

I use my camera like I use my toothbrush, it does the job...

Don McCullin
Simple enough here, don’t get caught up with cameras and technical talk of photography.

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Paris, France | 1992

At Bastille in 1992, the streets filled with voices against racism. I went there with my camera, not only to follow the march but to look outward, to the edges, where life carried on. Among the crowd I found the quiet faces of bystanders—those who paused, watched, or simply passed through. These photographs hold that tension between history and the everyday, where a city’s ordinary rhythm brushed against the urgency of protest.

Paris, France | 1992

In 1992, Bloomsday at the Collège des Irlandais in Paris brought together lovers of James Joyce’s Ulysses for a day of readings, music, and celebration. The historic building on the Rue des Irlandais, once a home for Irish students in exile, became a lively stage for actors, scholars, and expatriates to honour Leopold Bloom’s odyssey through Dublin. In the intimate courtyard and vaulted rooms, excerpts were read in both English and French, traditional Irish tunes filled the air, and conversations flowed late into the evening—keeping alive a Parisian tradition of celebrating Joyce where history, literature, and the Irish diaspora meet.

Belfast, Northern Ireland | 2025

Andrew is a social documentary photographer based in Belfast, Northern Ireland. His work primarily focuses on Protestant, Unionist, and Loyalist communities within the context of a post-conflict society. In an ever-changing Northern Ireland, where demographics shift and political landscapes change, Andrew’s work tries to capture the heartbeat of this, often marginalised, community. After studying photography at Ulster University, Andrew’s work has been featured on the BBC Iplayer, in the Irish News, Belfast Telegraph, the Belfast Archive Project, and Le Point Magazine. Contact the photographer here https://www.instagram.com/andrewj.98/?hl=en