Projects

Kirsty Greenland is a street photographer based in Perth, Western Australia. Her work explores the randomness and beauty of unposed moments, with a focus on colour, movement, and the play of light and shadow. Inspired by Perth’s beaches and the city’s vibrant parades and festivals, her photography reflects a search for connection with place. Originally from Melbourne, she spent many years living overseas before settling in Perth, where all of the photographs in this collection were taken. Her work has been exhibited and published in both Australian and international outlets.

This series was photographed in Newport, Wales. The work looks at everyday life in the city during a period of change and uncertainty. Children played in abandoned buildings left behind by redevelopment. In church halls, ballet lessons and drawing classes carried on, giving structure and creativity to young people’s lives. At the same time, older residents kept up their routines, swimming together and holding on to traditions of community. The photographs record ordinary moments in Newport—play, learning, and leisure—set against the backdrop of a city in transition.

“Peter wanted to capture what he saw on his travels. Drawing and painting felt too slow, but in 1976 he discovered that the camera was perfect. With just a couple of lenses and a few rolls of film in his pocket, he could create memories to last a lifetime—each picture telling its own story.” www.instagram.com/colnagoeps/

At Bastille in 1992, the streets filled with voices against racism. I went there with my camera, not only to follow the march but to look outward, to the edges, where life carried on. Among the crowd I found the quiet faces of bystanders—those who paused, watched, or simply passed through. These photographs hold that tension between history and the everyday, where a city’s ordinary rhythm brushed against the urgency of protest.

In 1992, Bloomsday at the Collège des Irlandais in Paris brought together lovers of James Joyce’s Ulysses for a day of readings, music, and celebration. The historic building on the Rue des Irlandais, once a home for Irish students in exile, became a lively stage for actors, scholars, and expatriates to honour Leopold Bloom’s odyssey through Dublin. In the intimate courtyard and vaulted rooms, excerpts were read in both English and French, traditional Irish tunes filled the air, and conversations flowed late into the evening—keeping alive a Parisian tradition of celebrating Joyce where history, literature, and the Irish diaspora meet.

Andrew is a social documentary photographer based in Belfast, Northern Ireland. His work primarily focuses on Protestant, Unionist, and Loyalist communities within the context of a post-conflict society. In an ever-changing Northern Ireland, where demographics shift and political landscapes change, Andrew’s work tries to capture the heartbeat of this, often marginalised, community. After studying photography at Ulster University, Andrew’s work has been featured on the BBC Iplayer, in the Irish News, Belfast Telegraph, the Belfast Archive Project, and Le Point Magazine. Contact the photographer here https://www.instagram.com/andrewj.98/?hl=en

This series looks at working life in Wales—cashiers, roofers, labourers, and men on construction sites. It was photographed on bulk-rolled Kodak Tri-X film, giving the images a gritty, tactile quality that reflects the physicality of the jobs. Shot with no frills, just available light and time spent watching, the pictures are a quiet record of labour—its gestures, its repetition, and its dignity.

Mostafa Mansour is a documentary photographer based in Sinai, Egypt. His current work focuses on the life of Bedouin communities from the Muzeina tribe and their relationship to their environment. Mansour’s work is mainly shot on analog film in different formats. His recent short film ‘Passage’ -an experimental short documentary film- was screened at Two.Five film festival and Zawya Film Festival in Cairo.