8 More Photography Quotes That Inspire Me
Photography has nothing to do with cameras. Lucas Gentry Love this one from Gentry. Yes, just forget about your cameras and bits of equipment. Just
I walked into this huge studio where the celebrated French designer Serge Lutens was working for Shiseido, a Japanese skincare company. Serge was an avid photographer too, so everything was in place for the shoot already, and it was fantastic to be able to shoot him in his own studio.
The atmosphere was very relaxed, as far as I can remember. I don’t do fashion photography but I admire what they do. Fashion photographers are not street guys, I think their job is harder.
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Photography has nothing to do with cameras. Lucas Gentry Love this one from Gentry. Yes, just forget about your cameras and bits of equipment. Just
Paris, France | 1992
At Bastille in 1992, the streets filled with voices against racism. I went there with my camera, not only to follow the march but to look outward, to the edges, where life carried on. Among the crowd I found the quiet faces of bystanders—those who paused, watched, or simply passed through. These photographs hold that tension between history and the everyday, where a city’s ordinary rhythm brushed against the urgency of protest.
Paris, France | 1992
In 1992, Bloomsday at the Collège des Irlandais in Paris brought together lovers of James Joyce’s Ulysses for a day of readings, music, and celebration. The historic building on the Rue des Irlandais, once a home for Irish students in exile, became a lively stage for actors, scholars, and expatriates to honour Leopold Bloom’s odyssey through Dublin. In the intimate courtyard and vaulted rooms, excerpts were read in both English and French, traditional Irish tunes filled the air, and conversations flowed late into the evening—keeping alive a Parisian tradition of celebrating Joyce where history, literature, and the Irish diaspora meet.
Belfast, Northern Ireland | 2025
Andrew is a social documentary photographer based in Belfast, Northern Ireland. His work primarily focuses on Protestant, Unionist, and Loyalist communities within the context of a post-conflict society. In an ever-changing Northern Ireland, where demographics shift and political landscapes change, Andrew’s work tries to capture the heartbeat of this, often marginalised, community. After studying photography at Ulster University, Andrew’s work has been featured on the BBC Iplayer, in the Irish News, Belfast Telegraph, the Belfast Archive Project, and Le Point Magazine. Contact the photographer here https://www.instagram.com/andrewj.98/?hl=en