8 Inspiring Photography Quotes

Morning Exercise

Today, I am going to shoot someone… and they will love me for it!

Unknown
This quote reminds me of a New York taxi driver who made a photography book called Drive-by Shootings.

I don’t trust words. I trust pictures.

Gilles Peress
A simple quote from Gilles Peress who has covered The Troubles in Northern Ireland for years. “Whatever you say, say nothing” is his book on The North.

We see in colour all the time. Black and white is therefore immediately an interpretation of the world, rather than a copy.

Michael Kenna
This is brilliant from Kenna, he sees colour photography as a direct copy of life where as black and white is a more surreal and abstract way of looking at things.

The eye should learn to listen before it looks.

Henri Cartier-Bresson
I like this quote form Robert Frank and what I think it means is that you should observe a seen and watch and listen to what people are saying and doing before you start taking pictures.

Actually, I’m not all that interested in the subject of photography. Once the photo is in the box, I’m not all that interested in what happens next. Hunters, after all, aren’t cooks.

Henri Cartier-Bresson
What he means here is that Bresson was only interested in the process of taking pictures and not so much into the technical part of photography. I also believe that Bresson didn’t do his own printing.

Once photography enters your bloodstream, it is like a disease.

Anon
I remember seeing a book by Don McCullin called the Destructive Business and I got hooked straight away. It was a bit like heroin for the eye, just couldn’t get enough of it.

After following the crowd for a while, I’d then go 180 degrees in the exact opposite direction. It always worked for me.

Elliott Erwitt
What I believe this quote from Erwitt means, is constantly retrace your steps find and different things that you didn’t find the first time. Constantly go back to the place you photograph before.

The photograph itself doesn’t interest me. I want only to capture a minute part of reality.

Henri Cartier-Bresson
Bresson was obsessed about detail so much so that he forgot about the what he was taking to look for the smallest of details in people and things.

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Valence, France - 2025

Frédéric Caron is a French photographer whose work explores the limits of both human endurance and photographic technique. Trained in traditional film photography since 1986, he built his career capturing the intensity of extreme environments—from mountain climbing and aerial sports to operational work with firefighters. Today, his latest challenge is photographing the fleeting landscapes seen from a moving train between Valence and Avignon, a daily exercise in precision and patience that reflects his belief that photography exists for its own sake — an art of persistence, observation, and wonder. Link to Fred’s work https://www.instagram.com/fredcaronphotographe/?hl=en

Paris, France | 1991

In 1991, I spent weekends wandering through Les Puces de Clignancourt, Paris’s vast flea market on the northern edge of the city. It was a maze of narrow alleys, brimming with old clothes, furniture, records, and faces full of stories. Vendors called out to passersby, bargaining and joking in a mix of French, Arabic, and African dialects. I was drawn to the rhythm of the place—the layers of life, history, and survival all playing out in one sprawling market. My camera followed the movement, the gestures, the laughter, and the quiet exchanges that defined a working Paris few tourists ever saw.

Perth , Australia| 2025

Kirsty Greenland is a street photographer based in Perth, Western Australia. Her work explores the randomness and beauty of unposed moments, with a focus on colour, movement, and the play of light and shadow. Inspired by Perth’s beaches and the city’s vibrant parades and festivals, her photography reflects a search for connection with place. Originally from Melbourne, she spent many years living overseas before settling in Perth, where all of the photographs in this collection were taken. Her work has been exhibited and published in both Australian and international outlets.