Paris, France | 1992
At Bastille in 1992, the streets filled with voices against racism. I went there with my camera, not only to follow the march but to look outward, to the edges, where life carried on. Among the crowd I found the quiet faces of bystanders—those who paused, watched, or simply passed through. These photographs hold that tension between history and the everyday, where a city’s ordinary rhythm brushed against the urgency of protest.
Paris, France | 1992
In 1992, Bloomsday at the Collège des Irlandais in Paris brought together lovers of James Joyce’s Ulysses for a day of readings, music, and celebration. The historic building on the Rue des Irlandais, once a home for Irish students in exile, became a lively stage for actors, scholars, and expatriates to honour Leopold Bloom’s odyssey through Dublin. In the intimate courtyard and vaulted rooms, excerpts were read in both English and French, traditional Irish tunes filled the air, and conversations flowed late into the evening—keeping alive a Parisian tradition of celebrating Joyce where history, literature, and the Irish diaspora meet.
Belfast, Northern Ireland | 2025
Andrew is a social documentary photographer based in Belfast, Northern Ireland. His work primarily focuses on Protestant, Unionist, and Loyalist communities within the context of a post-conflict society. In an ever-changing Northern Ireland, where demographics shift and political landscapes change, Andrew’s work tries to capture the heartbeat of this, often marginalised, community. After studying photography at Ulster University, Andrew’s work has been featured on the BBC Iplayer, in the Irish News, Belfast Telegraph, the Belfast Archive Project, and Le Point Magazine. Contact the photographer here https://www.instagram.com/andrewj.98/?hl=en
Newport ,Wales | 2089
This series looks at working life in Wales—cashiers, roofers, labourers, and men on construction sites. It was photographed on bulk-rolled Kodak Tri-X film, giving the images a gritty, tactile quality that reflects the physicality of the jobs. Shot with no frills, just available light and time spent watching, the pictures are a quiet record of labour—its gestures, its repetition, and its dignity.
Colm Gerard Pierce
Colm Pierce is an accomplished documentary photographer. Since first picking up a camera in 1987, he’s travelled extensively throughout his home country of Ireland as well as to various more exotic locations, most notably France and Vietnam.
Over the years Colm has become known for the gritty humanity of his work—even his landscapes—and for his uncommon ability of being able to tell detailed stories without saying a word.
Colm’s work has been featured in such publications as the Guardian, the Irish Times, Elle, Le Point and Micro Hebdo. Today, he regularly posts his work, new and old, on his Facebook and Instagram pages, sells prints from his vast catalogue and runs photography workshops in his adopted home of Hanoi, Vietnam.
Journal
Micro Hebdo Magazine
Loos Prison is one of my “pushed stories”. I’d met a retired teacher who was working in the prison, where the prisoners were learning how to make webpages. I really enjoyed this part of my life in Paris.
Elle Magazine
Serge was an avid photographer too, so everything was in place for the shoot already, and it was fantastic to be able to shoot him in his own studio.
Le Point Magazine
Miyamoto is the world famous creator of Super Mario. This shoot took place in the Hotel Costes swimming pool on Rue Faubourg, Saint Honore in Paris and was a commission from Le Point Magazine.